The rest of my time in Vietnam was great. Modern VietNam is an interesting phenonmemon—thousands of years of tradition and modern industrialization all rolled into one. We left early for Halong Bay after a bowl of pho ga. After the initial novelty of seeing people in pointed hats working the bright green rice paddies, I realized that the area we were driving through is much like the strip between Chicago and Milwaukee. There’s a mix of agricultural land that looks semi-desolate, industrial barf of power plants and construction sites, and various stops catering to the incessant tourist buses, many of them pink, that run up and down along the road. There are ancestral graves with huge headstones right in the rice paddies, and raised walkways where people park their bikes or motorbikes. People below may be using hoes to work the rice fields or large bucket systems, requiring two people, to irrigate them. In between fields there may be a single three-story narrow house, painted lavenbdar green or yellow. They just stick up as if from nowhere.
One of the things I find most interesting, watching people on motorbikes and in the fields, is that everyone wears long pants and the women cover themselves—arms, heads, and faces—so as not to get dark skin. This is very unlike the Thais—the only people I saw doing that in Thailand were teenage boys and young men. I also can’t believe that they do this in spite of the stifling heat. Why is it people in the hottest climates always wear the most clothes when they don’t have to? I had left my hat in Bangkok because I was tired of the stares it drew in Thailand; in Vietnam everyone thought I was crazy for going without a hat. To my relief, though, I later observed that tank tops are quite ok in Vietnam. In Thailand, they are a no-no.
When we arrived in Halong Bay (the town) and checked into our hotel, it was time for lun ch at 11:30. Lunch in VietNam seems to be the main meal of the day and is followed by a short siesta. It wasn’t until later in the afternoon—about 3:30—that I got to hit the town beach. My Western-style bathing suit drew stares—I really should have worn shorts with it, l but once I was in the water it was great. The bay there is very shallow and there were only small swells of waves coming up. The water, while murky, was astonishingly warm and I told To about the astonishingly cold water we swim in at Scarborough. She found it hard to believe that it’s like ice water even during the hottest part of the summer.
As it turns out, most Vietnamese can’t swim very much, not even Lap, who was a ship’s captain. Swimming mostly consisted of people holding onto inner tubes and splashing in the bathtub-warm water. Tiang does swim some, though, and asked me to teach him the crawl stroke. You haven’t lived until you’ve taught someone to swim with only part of a language in common. He borrowed my swim goggles and caught on really fast. Between our swimming lessons, kids kept coming up and saying “hi!” to me. Eeveryone seemed eager to practice their English. One skinny brown kid rehearsed a whole dialogue with me: “Hello. How are you?…” When we got to the end (I think it was “my name’s Anne,” he started over with “hello!”
An old man aksed me something in VietNamese which Tiang later told me was whether I was an American or French. No one gave me any flak for being American. In fact, people in VietNam seem amazingly warm and genuine. This at least was my perception at the beach on a fine day with a Vietnamese family…so unlike my experiences of being a foreigner who doesn’t know anybody in Thailand. Really, they seem more real and less corrupted by consumer culture than the Thais, who, in Bangkok anyway, always seem to be trying to make money off the tourists by giving them what they want. In Vietnam, I sensed greater curiousity and the warmth felt genuine.
At dinner I discovered rice wine, which has a lovely toasty aftertaste, and purple mangoes that To called Indian mangoes. After dinner we visited the house of a woman who had helped Lap find the hotel we were staying in…a relative, I believe. She is a teacher of Advanced English, but most of the conversation was in Vietnamese. I just sat back an enjoyed the scene as everyone chatted and Lap talked with an older, silver-haired man who had also been a ship’s captain. We ate fruit (sweet mangoes and watermelon) and I watched the kids play with blocks on the clean yellow floor. It always amazes me how, in the tropics, there are simply open doorways leading into the house, without doors or windows that can be secured against the next blizzard. The tile floor led out into the night and the children came and went from outside as the news played on the muted tv in the background. It wasn’t until the end of the visit that I realized our host spoke English—very good British-sounding English at that. As we were leaving, she gave me a dragonfruit, and an older woman place her hand on my rear with motherly affection. Vietnamese people have a different concept of personal space.
(This, in fact, was another pleasant surprise. In Thailand, people keep a good deal of distance from one another and there’s very little touching. In Vietnam a friend or total stranger can be right next to you, their knee touching yours, and it’s totally fine. People are very casual in this way. None of the weird sexual vibes or irritation that this would create in the states.)
Having finished our visit, we went to a nearby amusement part. This was the highlight of the whole trip for Tiang, since there is a haunted house there—or as he called it, the abomination or ghost house. First, though, we went to a cultural heritage pavilion where we watched Vietnamese dancing. This is clearly something that emerged in an agrarian culture—
dancers in brightly colored costumes skip between bamboo sticks that are held horizontally, close to the floor, and moved up and down to create a pounding rhythm.. It reminded me of a mix between double-dutch and the limbo. At the end people were asked to come up front and dance with the dancers. (I declined).
After this we watched the water puppets, an art that is, I believe, unique to Vietnam. Again, this is clearly a legacy of the rice fields. Brightly-colored, sequined puppets are floated on the water where they writhe and splash as if alive. With no sign whatsoever of puppeteers, we watched dragons slither through the water, phoenixes coax each other in a love-dance, and fishermen catching flying fish in baskets. Lap told me later that the puppets are operated with a complex series of pulleys and levers, sometimes with several people controlling a single puppet. During the performance, Tiang got more and more excited—he could hear people screaming in the ghost house. I felt bad that he had to wait for me to see the show; he’s probably seen water puppets tons of times before.
By the time we got to the ghost house, Tiang was really worked up. I even felt some trepidation going in. Inside were the requisite black lights and real people who move suddenly from among a row of mannequins—exactly like the haunted house I went to at Cedar Point so many years ago. The main difference between Vietnamese and American ghosts, it seems, is that Vietnamese ghosts hold long bamboo sticks. Everyone seemed to be afraid of being touched by them. (I thought that perhaps these were death-dealing sticks, but To told me later that ghosts in Vietnamese lore sometimes beat people who’ve done bad things.) Boys in white t-shirts pulled a screaming girl through the exhibits, and turned me around when I tried to backtrack to find Lap and Tiang When I got to the end I discovered them already there; as it happens, Tiang had been too terrified to go in at all. Poor kid! As we say in Anerica, what a bummer.
After this we had a brief view of a museum with artifacts dating from about AD 95. To me they seemed impossibly ancient, but Lap shugged and said they weren’t so old. To my amazement, some were wooden statues. There were also ceramics that looked for all the world like they’d been fired the day before. I was told not to take photos of the Buddha’s head that was on display and we soon had to leave anyway. On the way out, my favorite sign of the day: A picture of a rooster with the caption, “Cork Fighting.”